Silent Pound - Open Baffle Brilliance






A speaker that offers something very special...

  • Can be used successfully even in rooms with a lot of sound reflections

  • Constant Directivity

    The way to decrease the acoustic interaction with the room.


  • 3 times less room resonances with no additional room treatment


Silent Pound - Fixing Room Acoustic Issues

Quality acoustic treatment of your room often can and usually does exceed the cost of quality speakers. Therefore, it makes more sense to enhance sound quality by directing soundwaves toward the listener while trying to radiate as few waves to reflective surfaces as possible thus decreasing interaction between speakers and the room.

Sound diffusion optimization in an acoustically untreated room was our main goal. To achieve it we employed modern CAD and methods of mathematical modelling. 

Through careful mathematical analysis, multiple experiments and critical subjective listening sessions we’ve managed to design an acoustic system suitable for various room sizes while maintaining tonal balance, high resolution and spectacular soundstage detail.


FEATURES

Constant Directivity

Audio system

88 db

Sensitivity

30 Hz - 18 kHz

Frequency range


〜 60 kg/unit

Weight

Patent pending midrange enclosure 

Mid-frequency range plays a crucial part in recreating a sound stage, which is why we’ve paid a great deal of attention to designing mid- and high-frequency range part of the system. To address the mid-range frequency (MF) correction of directivity in the lower part of MF range, we’ve created a unique acoustic enclosure, which allowed to find optimal acoustic balance between MF and LF. Careful experiments and calculations led to significantly more detailed soundstage when compared to traditional systems.


MF-HF range is recreated by a mathematically modelled compact horn of our own original design tuned to match MF. The horn features highest technical specs and and sound very natural without any additions characterized by improperly designed horns.

Hear from the Designer...

Directional acoustics as a way to decrease the acoustic interaction with the room

Quality acoustic treatment of your room often can and usually does exceed the cost of quality speakers. Therefore, it makes more sense to enhance sound quality by directing soundwaves toward the listener while trying to radiate as few waves to reflective surfaces as possible thus decreasing interaction between speakers and the room.


Sound diffusion optimization in an acoustically untreated room was our main goal. To achieve it we employed modern CAD and methods of mathematical modelling. 


Through careful mathematical analysis, multiple experiments and critical subjective listening sessions we’ve managed to design an acoustic system suitable for various room sizes while maintaining tonal balance, high resolution and spectacular soundstage detail.

“the Silent Pound Challenger is quite an achievement”

"Not only is it really well built and finished but attention to detail in both the industrial and acoustic design mean that the Challenger emerges fully formed onto the high end scene."


"I take my hat off to company founders Audrius Balciunas and Martynas Serksnys for making a loudspeaker that’s so capable yet doesn’t take up the sort of space often associated with high end designs. The fact that it was specifically conceived to work in almost any environment should mean that the Challenger meets with success wherever it goes, it certainly deserves to do so."


"The directivity element of the Silent Pounds seems to work well, the sound escapes the boxes really well and the fact that you can play them at level without the room joining in too obviously suggests that the cardioid aspect is doing its stuff. The mids and highs are pretty impressive, Nora Jones’ voice on Court and Spark (River: The Joni Letters) is outstanding or so it seems, however when Herbie Hancock gets to work on the piano the natural acoustic around that instrument gives it a realism that is very convincing indeed. It makes clear just how much work was done to get the voice sounding the way it does."


Jason Kennedy

the EAR

Specialised Features

Glass Panels

Glass Panels allow for the magnificent crossover to be on full display

RAL - Custom Colours

Want a custom colour - no problem! Any colour you want!!

Full Metal Construction

The main chassis is built from stainless steel

Specialised Finishes

Each speaker is built for you, so it can be made to your exact needs. 

Sale Off
Silent Pound Challenger II Open Baffle Loudspeakers
£27,995.00

Reviews

Internasjonale tester

6moons

HiFi Pig

HiFi+

Science

Directional acoustics as a way to decrease the acoustic interaction with the room

Quality acoustic treatment of your room often can and usually does exceed the cost of quality speakers. Therefore, it makes more sense to enhance sound quality by directing soundwaves toward the listener while trying to radiate as few waves to reflective surfaces as possible thus decreasing interaction between speakers and the room.

Sound diffusion optimization in an acoustically untreated room was our main goal. To achieve it we employed modern CAD and methods of mathematical modelling. 

Through careful mathematical analysis, multiple experiments and critical subjective listening sessions we’ve managed to design an acoustic system suitable for various room sizes while maintaining tonal balance, high resolution and spectacular soundstage detail.


3 times less room resonances with no additional room treatment

From a technical standpoint, the biggest challenge to control directivity is in the low frequency range. There are different ways to achieve this goal, such as low frequency horns or low frequency speaker arrays. Usually, they are very expensive to acquire and require a lot of technical skill to install.

We’ve addressed this issue by building in a gradient type low frequency (LF) module in our system and results were astonishing: 3x less acoustic power radiation to the room (directional index ~4,8 dB) when compared to traditional closed enclosure speakers emitting low frequency sound in all directions. This particular LF technical solution allowed for noticeable decrease in room resonance within the lowest frequencies with no additional room treatment.

Mathematical modelling of directivity characteristics using finite element method allowed to optimize baffle construction, choice of optimal crossover frequency and significantly improve reproduction of low frequency range

Image

Patent pending midrange enclosure 

Mid-frequency range plays a crucial part in recreating a sound stage, which is why we’ve paid a great deal of attention to designing mid- and high-frequency range part of the system. To address the mid-range frequency (MF) correction of directivity in the lower part of MF range, we’ve created a unique acoustic enclosure, which allowed to find optimal acoustic balance between MF and LF. Careful experiments and calculations led to significantly more detailed soundstage when compared to traditional systems.

MF-HF range is recreated by a mathematically modelled compact horn of our own original design tuned to match MF. The horn features highest technical specs and and sound very natural without any additions characterized by improperly designed horns.

Design

While creating the Challenger we’ve paid a great deal of attention not only to sound, but to visual aesthetic as well.

Steel cabinet might look monumental from first glance, but it is only 15 cm deep and thanks to its sleek, subtle and elegant lines it will unobtrusively blend into your room space.

Inspired by timepiece makers and our own Discovery open baffle model we left part of the system’s back open. Those wishing to sneak a peek at the back of low frequency drivers, designed and made exclusively for Silent Pound, can easily do so by simply removing the safety mesh. Crossover part of our own design is always visible through a clear safety glass.

Those wishing to make their system even more unique can choose more than classical black or white. We offer a wide array of colors, from Pearl Gentian Blue to Grey Metallic Atlas.

Thanks to the efforts of the award-winning industrial designer Moses Kang, all these elements smoothly combined into an astonishing audio system that is both acoustically and visually impressive - Silent Pound Challenger, designed and assembled in Lithuania.

Specifications

Frequency range

30Hz to 18kHz (±3dB)

Sensitivity

88dB (2.83V/1m)

Impedance

4 Ohm

Minimum impedance

3.2 Ohm

Speaker drivers

2 x 300 mm (12”) woofers designed exclusively for Silent Pound systems

2 x 160 mm (6”) Midwoofer

1” compression driver

MTM (midwoofer-tweeter-midwoofer) driver array

Configuration

3.5 way speakers

Design

Constant directivity

Dimensions

124 X 36 x 35 cm

Weight

60 kg (1/unit)

Recommended amplifier

100 - 400W

Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers
Silent Pound Challenger II Open Baffle Loudspeakers