A more sophisticated, more mature version of the award-winning NightHawk, NightHawk Carbon boasts several acoustic, ergonomic, and cosmetic refinements, adds a second pair of earpads, and includes a more versatile, durable cable—all while retaining its predecessor’s exceedingly low distortion, unsurpassed comfort, and naturally beautiful sound.
Compared to the drive-units commonly used in most headphones, NightHawk Carbon’s 50mm dynamic driver much more closely resembles the high-quality drive-units found in today’s most sophisticated loudspeakers—not simply in appearance, but, more importantly, in terms of function and performance. It employs a carefully constructed bio-cellulose diaphragm, voice-coil former, and compliant rubber surround, resulting in quality that is as easily seen as it is heard.
Designed for exceedingly low distortion and high excursion with true pistonic motion, NightHawk Carbon’s driver contributes significantly to the headphones’ well-controlled bass, rich midrange, and naturally extended highs. Its combination of effortless clarity and outstanding representation of space produces meaningful, emotionally compelling listening experiences. More than merely capable of providing short-term pleasure, NightHawk Carbon is designed to deliver satisfaction that endures.
The open-back design of NightHawk Carbon’s speaker enclosures—its earcups—enables an expanded, three-dimensional soundstage with natural dynamics and smooth, coherent performance that extends into the lowest and highest octaves.
As with any open-back headphone, the open area had to be protected by a grille to prevent damage to the headphone’s precision-made internal parts. Traditionally, this has almost always been accomplished with perforated metal/plastic, wire cloth, or some other effectively two-dimensional material. While more or less successful at protecting the headphone’s internal parts, these materials also tend to compromise the headphone’s performance, reflecting sound back toward the driver, creating standing waves and resonant colorations.
But what if this grille could be three-dimensional and promote a random scattering of sound—diffusion—to successfully prevent those destructive standing waves?